I’m Tired of the Games We Play, I’m Cashing in My Chips Today: Yet Another Brief Update

Friends, this already completely bitchin year of live music somehow keeps getting even more amazing. Since my last very brief update, four more outstanding shows have been announced, 3 of which I will absolutely be attending (the other is a very long long shot).

Before I get into that, though, I wanna mention that my virgin Metallica experience is nigh (only 7 more sleeps!), and I’m getting giddy as a schoolboy at a nudie bar. A detailed account of my experience will surely be posted here sometime thereafter, but for now, on with the shows!

First up, the mighty Death Angel is headlining a show in Indianapolis in April the week before their show with Overkill in Louisville! I’m gonna see Death Angel two times in less than 7 days! Holy shit!

Looking into the distance, the relentless touring machine that is D.R.I. will be stopping in Indy again this September, like they do almost every year, but my work situation this year will allow me to finally get back up there and see them, and that is some exciting news. I managed to see them once a few years back, and it was an absolutely killer show. I have no reason to assume that this show will be otherwise.

But the biggest and arguably most exciting news just came along this morning: motherfucking Sacred Reich added a headlining show in Indianapolis in May! I’M FINALLY GONNA SEE SACRED MOTHERFUCKING REICH LIVE! I sincerely don’t think I could be more excited about this one. Plus (PLUS!), it comes 5 days after The Mountain Goats show in Bloomington and 2 days before the EyeHateGod show in Indianapolis! Holy week of kickass live music, Batman!

As for the very long long shot, this year’s Full Terror Assault in Cave-in-Rock, Illinois added the newly re-formed Vio-Lence to the lineup, but I’m not likely to be in attendance for that one, as it falls very close to Mrs. Stay Heavy’s birthday, and camping and attending a metal festival is not on her birthday wishlist. However, the news that the band is playing shows again is encouraging, so I may still get a chance to see them someday. For now, that’s good enough.

And speaking of good enough for now, I think this post is. Thanks for reading, and stay heavy, friends.

You Are Coming Down With Me, Hand in Unlovable Hand: A Brief Update

Ahoy there, friends. It’s been a very long time since I’ve done anything with this sumbitch, and I’m not here to claim that that’ll change anytime soon, because I know myself, and myself is pretty lazy unless something is required of it. However, this year is shaping up to be a doozy of a motherfucker in the live music field for yours truly, and a few minutes ago, a text from Mrs. Stay Heavy reminded me of the imminence of said live music, so I thought I’d take a few minutes to share some of the upcoming shows that I am looking forward to in the coming year.

First up (and this is a big one): I’m finally gonna see fuckin Metallica live, in Louisville, KY! I know that the band has become a shadow of its former self (I’ve expressed that sentiment in these pages plenty), but I also know that they are one of the primary reasons I’m sitting here writing about this right now (for better or worse). Metallica™️ causes me a wide range of emotions (mostly negative), but Metallica will always be one of my favorites. My amazing wife bought us tickets for my birthday last year, and one of my childhood dreams is about to come true in 30 days. There’ll almost certainly be more to come, re: this.

I’d be over the fucking moon if they played this one…

Approximately one week later, we’re going to see Clutch with Big Business in Indianapolis! It’ll be my 8th or 9th time seeing Clutch live, and the first time in about 5 years. My feelings regarding Clutch have been documented here briefly, but I will say that after two less than stellar albums, they’ve found their way back into my life, and their most recent album, Book of Bad Decisions, kicks a lot of ass. It’ll be my first time seeing Big Business live, but they fucking rule, and I’m super stoked about that. It’s only my second time seeing Clutch with an opening act that I am already familiar with (last time I saw them, The Sword was direct support), and I’m into that. There’s another band opening; they’re from France, and they’re called The Inspector Cluzo, and I don’t know much about them, but based on the songs I’ve listened to, they sound cool, and they sound like a band that would open for Clutch.

In April, Overkill and Death Angel are playing a show in Louisville on my cousin Jason’s birthday. Death Angel is his favorite band, and if you’ve read much of this blog, you’ll know that I love them like they were my own child, so we’re both super stoked about that. I’m also psyched about Overkill, as I haven’t seen them live yet, and that’s pretty stupid of me, quite frankly.

Act of Defiance is opening the shows, but I won’t share anything from them yet, as I haven’t looked into them yet, because I currently cannot stop listening to the Mountain Goats, which leads us into May…

…when I’ll be seeing the Mountain Goats for the first time, here in Bloomington. They’re not musically heavy, but their lyrics can be heavy as fuck, and Mountain Goat/guitarist/vocalist/lyricist John Darnielle is a huge fan of heavy music, and used to write a fucking amazing, hilarious, sometimes surreal column called “South Pole Dispatch” for Decibel magazine. It’s sure to be a great time.

A few days after the Mountain Goats show, Iron Reagan, Sacred Reich, and fucking Leeway (!) are playing in Chicago, but there’s only like a 2% chance I’ll be able to make it to that one. I really wanna see Sacred Reich and Leeway live. Someday, I suppose. There’s a band called Enforced opening the shows as well, but I don’t know anything about them, and since I won’t likely be in attendance, I haven’t bothered looking into them. I’ve been working on a thing about Leeway for a while now, and that’ll possibly be finished eventually, maybe.

In August, Iron fucking Maiden returns to Indianapolis for the first time since 2012, this time on the Legacy of the Beast tour. There’s not much I can say about this one, but I can guarantee that my voice will be shot for at least a day afterward.

Also, while I will not be in attendance, the almighty Vio-Lence are reuniting to play two shows in San Francisco April 13th and 14th. The first day they’ll be playing their 1988 masterpiece Eternal Nightmare in its entirety for the first time ever. If I win the lottery before then, I’ll certainly find a way to attend one or both of those shows, but in reality, I’ll just be here in southern Indiana, jamming Eternal Nightmare like I do any other given day.

Sweet mother of Jeebus, y’all, that’s a heavy goddamn year, and it’s only February, so more shows are sure to be added. Thanks for reading, stay tuned, and as always, stay heavy.

Stay Heavy Time Capsule, Volume 1 – 1988: Thrash Metal’s Finest Hour?

I’m a member of a Facebook group that shares media that we’re interested in with one another – music, movies, TV, comic books, novels, and so forth. The group admins throw out a weekly theme that members can follow if they’d like, and last week’s was election-year releases – things released during a US presidential election year. My mind immediately turned to 1988, which is easily one of the greatest years in the storied history of thrash metal, and then a variety of issues arose (work, the sheer volume of 1988 metal (let alone thrash metal), and that goddamn depressing/infuriating election itself) which kept me from sharing any of my picks with the group.

This is me in 1988. My 6th grade yearbook theme was "Building the Leaders of Tomorrow", and everyone was supposed to say what they wanted to be when they grew up. I chose "bass guitarist", and I'm pretty sure I came closer to realizing my dream than anyone else in my class, only because I once owned a bass guitar.

This is me in 1988. My 6th grade yearbook theme was “Building the Leaders of Tomorrow”, and everyone was supposed to say what they wanted to be when they grew up. I chose “bass guitarist”, and I’m pretty sure I came closer to realizing my dream than anyone else in my class, only because I once owned a bass guitar.

I’ve actually been kicking around the idea of writing up a 1988-themed post for this blog for a while now, but I’ve just never made it happen up till now. My lack of participation in the Facebook group theme provided the necessary catalyst to finally sit  down and give it a go. I can’t promise this’ll be coherent and organized, but I’m pretty sure it’ll be long, and it’ll damn sure be opinionated. Please note: I am in no way attempting to put together a complete list of thrash metal albums released in 1988; I am simply sharing some of my favorites, with a little commentary here and there for good measure. I’m just gonna put ’em in here alphabetically, because I don’t have all day.

Anthrax – State of Euphoria (released September 19, 1988 on Island Records)

Anthrax was my first favorite band, and State of Euphoria, which I received for Christmas ’88, was the first album they released after I fell in love with them. That has no doubt played some role in SoE being my favorite Anthrax album (I actually think the follow-up, Persistence of Time, is a better album, but I don’t like it quite as much). Whatever the reason(s), it is an undeniably badass album.

Album opener “Be All, End All” is one of my most favorite songs ever.

Side two opener “Now It’s Dark” was inspired by Frank Booth, Dennis Hopper’s terrifying character from David Lynch’s amazing Blue Velvet, and some of the lyrics are taken from Frank’s dialogue. As such, many a fuck is given in this song, in a manner of speaking.

Album closer “Finale” (pronounced “finally” in the song), contains a chugging riff that cannot be denied, along with an unfortunate use of the word “faggot”, which is its only downside.

Death Angel – Frolic Through the Park (released July 1988 on Restless/Enigma)

Frolic Through the Park is not my favorite Death Angel album (that honor goes to 1991’s Act III), but it has some seriously rad songs, and it was a pretty bold step forward from the The Ultra-Violence, their vicious debut from one year earlier. Elements of funk began to appear, and song structures accordingly became more fluid. The band made a video for “Bored”, and it was apparently a pretty big hit on MTV, but my no-cable-havin ass had no way to know about that at the time.

Album opener “3rd Floor” kicks ludicrous amounts of ass. Gang vocals rule my fucking world, and this song delivers like Jimmy John’s.

Here’s the aforementioned “Bored”. If you had MTV in 1988, you’ve probably heard it at least once before. It can also be heard briefly in the criminally underrated 1990 film Leatherface: The Texas Chainsaw Massacre III.

D.R.I. – 4 of a Kind (released on Metal Blade Records, actual release date unknown)

4 of a Kind is not widely regarded as hardcore-turned-crossover-turned-thrash band D.R.I.’s finest album, but it’s my favorite (and like the Anthrax release above, was the first I heard from the band). Spike Cassidy’s guitar is all over this beast, and several of my favorite D.R.I. songs appear throughout.

“Manifest Destiny” relates the story of early European settlers robbing the “New World” from Native Americans.

“Forever moving onward
Said they were guided from above
Actually driven by hate
Disguised as love
But all their false love
Can’t disguise true hate
And the racist diplomacy
Of the church and the State”

“What are you deaf? Shut up!”

I first became aware of “Slumlord” via a full-page ad for the album in (I believe) RIP magazine. It was a comic visualizing the short yet harrowing story of a villainous slumlord who burns down his building, killing 40 innocent residents, just to collect the insurance money. I wish I still had that comic, but such is life, right? “Slumlord” flows directly into “Dead in a Ditch” on the album, and while it’s not a favorite of mine, it’s still a great song, and they work really well together, so I’ve included both here.

Album closer “Man Unkind” is a goddamn masterpiece.

“Man without an answer
Like a bird with broken wing
Wrapped up in his misery
Forgetting how to sing…”

Megadeth – So Far, So Good…So What! (released January 19, 1988 on Capitol Records)

Not Megadeth’s best, and not my favorite, but it does contain “Into the Lungs of Hell/Set the World Afire”, “Mary Jane”, and “In My Darkest Hour”, and the rest of the songs aren’t bad at all. Dave Mustaine has openly discussed the heavy drug and alcohol use that nearly destroyed the band during this time period.

“Into the Lungs of Hell” and “Set the World Afire” have been featured in these hallowed pages before. I like them both very much.

“Mary Jane” is super cool atmospheric little ditty about a witch.

“In My Darkest Hour” has also been featured here before. Dave Mustaine wrote it after learning of Cliff Burton’s death in September 1986. Overall, I’m pretty indifferent about Megadeth these days, but I have to say that hearing this live on two separate occasions has been pretty dope.

Metallica – …And Justice for All (released August 25, 1988 on Elektra Records)

There’s not much I can really say about this album that hasn’t already been said, either by myself or by others, but I can add that my cousin Jason was utterly stoked to pick this up on release day (his alliances ran more toward Metallica than Anthrax). We listened to it a lot, and I still listen to it on a pretty regular basis. I love the songs, but I sincerely hate the production, and Lars still deserves a beating for that.

Nuclear Assault – Survive (released June 13, 1988 on I.R.S. Records)

Nuclear Assault was my motherfucking jam when I was in junior high and high school. When I become Earth President, Dan Lilker will head up my Department of Metal. I prefer their 1989 follow-up, Handle With Care, but there’s nothing wrong with Survive.

“Rise from the Ashes”, like a good deal of 1980’s thrash metal, seems oddly relevant today.

Jesus, so does “Brainwashed”…

Okay, pretty much all of it…

Overkill – Under the Influence (released July 5, 1988 on Atlantic Records)

New Jersey’s Overkill are woefully underrated and underappreciated. I’m still working on a thing about them, so I don’t wanna say much here. I will say that I prefer the albums that bookend this one, 1987’s Taking Over and 1989’s The Years of Decay, but like Nuclear Assault’s 1988 release, you’d be hard pressed to find a real flaw on this one.

Rigor Mortis – Rigor Mortis (released July 19, 1988 on Capitol Records)

Hailing from the Dallas/Ft. Worth area, Rigor Mortis played gore-soaked, horror-fueled thrash metal, and on their self-titled debut album, they played it to within an inch of its life. After this album, vocalist Bruce Corbitt left the band, and they released an EP and a second full-length album, neither of which I’ve bothered to listen to, because Bruce Corbitt isn’t on them. Guitarist Mike Scaccia (who also played with Ministry) died in 2012 after suffering a heart attack onstage during a Rigor Mortis show. Before Scaccia’s death, Corbitt rejoined the band, and they recorded and released one final album, 2014’s Slaves to the Grave, which is also amazing.

“Wizard of Gore” is inspired by the 1970 film The Wizard of Gore, directed by the absurdly prolific Herschell Gordon Lewis, who made 35 films between 1961 and 1972. (Impetigo, the legendary grindcore/death metal group from the “heart of Illinois”, also have a song called “Wizard of Gore”, inspired by the same movie. It has nothing to do with 1988, but it’s a fucking rad song (and band), and you should look into it. I’m planning a thing about Impetigo, but it’s somewhere on the list of 60 million things I’m planning, so don’t hold your breath, although it is near the top of the list, so maybe do.)

“Re-Animator” is inspired by Stuart Gordon’s absolutely goddamn fantastic 1985 movie of the same name, which is itself loosely based on weird old H.P. Lovecraft’s episodic novella, Herbert West – Reanimator.

Slayer – South of Heaven (released July 5, 1988 on Def Jam Recordings)

If you’re keeping track at home, this entry means that all four of the so-called “Big 4 of Thrash Metal” released and album in 1988. That alone makes it a notable year, but as you’ve seen already and will continue to see, there really are so many more. I’ve written about South of Heaven plenty, and Slayer plenty more, so I shan’t delve too deeply here, but I would like to reiterate that I believe South of Heaven to be Slayer’s last essential album.

The title track (and album opener) proved confusing for some Slayer fans, many of whom assumed the band would continue along the path forged by 1986’s classic Reign in Blood. “South of Heaven” laid any hope of that to rest immediately, and the rest of the album proved a stellar, mostly mid-tempo confirmation of that.

Album closer “Spill the Blood” is creepy as a motherfucker, and is one of my favorite Slayer songs.

Suicidal Tendencies – How Will I Laugh Tomorrow When I Can’t Even Smile Today (released September 13, 1988 on Epic Records)

Like D.R.I., Suicidal Tendencies began life in the early 80’s as a straight-up hardcore punk band, then began to infuse elements of thrash metal, eventually becoming a metal band with hardcore elements. How Will I Laugh Tomorrow When I Can’t Even Smile Today is the first full-on metal album from this Venice, California juggernaut, featuring the addition of a second guitarist (Mike Clark) to handle rhythm duties, which allowed original guitarist Rocky George the freedom to play more solos. Suicidal Tendencies at their peak were unfuckwithable.

Testament – The New Order (released May 5, 1988 on Atlantic Records)

I’ve written about Testament more than I’ve written about probably any other band (except for maybe Voivod), so I don’t currently have anything to add here, but I could not in good conscience exclude them from this list, because I still listen to The New Order once a week on average.

“Disciples of the Watch” is inspired by Stephen King’s Children of the Corn, and is possibly my favorite Testament song.

This badass cover of Aerosmith’s “Nobody’s Fault” (from 1976’s Rocks) is the primary reason I started listening to Aerosmith.

Vio-Lence – Eternal Nightmare (released on Mechanic Records, exact date unknown)

At a time when many thrash bands were starting to slow things down (notably Metallica and Slayer), Bay Area Thrash upstarts Vio-Lence showed up to the thrash party to remind everyone that speed still kills, and that riffs are still king. Sean Killian’s vocals are a deal breaker for a lot of people, but I’ve always had a soft spot for unconventional vocalists, and I really think they fit the unhinged musical and lyrical themes perfectly. Guitarist Robb Flynn went on to form Machine Head, and other guitarist Phil Demmel joined him a few years afterward.

This album is a goddamn gem, and honestly, I can’t decide which songs to feature, so I’m putting the whole album here. It’s only 35 minutes long, just listen to it already!

Voivod – Dimension Hatröss (released June 29, 1988 on Noise Records)

I’ve written a shitload about Voivod, but like Testament, I couldn’t not feature some songs from this album. It’s 28 years old and still ahead of its time. If you you’d like to learn more about Voivod, check out my multi-part primer: Part 1 | Part 2 | Part 3 | Part 4, and if you’d like to know more about Dimension Hatröss in particular, give this a look.

With the meat of my 1988 showcase out of the way, I’d like to list a bunch of honorable mentions, most of which were cut due to time constraints…

Blind Illusion – The Sane Asylum (released on Combat Records, exact date unknown)

Progressive thrash metal featuring Les Claypool and Larry “Ler” LaLonde on bass and guitars, respectively. They went on to form a little group called Primus.

Coroner – Punishment for Decadence (released August 1, 1988 on Noise Records)

Technical thrash wizardry from Switzerland. Definitely worth your time.

Forbidden – Forbidden Evil (released September 30, 1988 on Combat Records)

Bay Area Thrash featuring Paul Bostaph, who went on to play with pretty much every band on the planet, on drums. Robb Flynn played guitar in this band before he was in Vio-Lence.

Razor – Violent Restitution (released on R/C Records, exact date unknown)

Lightning fast, razor sharp Canadian thrash metal with lunatic vocals. Highly recommended.

Tankard – The Morning After (released September 1988 on Noise Records)

Tankard hail from Germany, and since 1983, they’ve played songs about drinking beer, partying, and zombies. So basically, they’re Municipal Waste without the Nuclear Assault influence. (I mean no offense to Municipal Waste. They do good work.)

That’s all the time I’ve got for today. I do realize I’ve missed several notable metal releases from 1988, some thrash, some not thrash (Iron Maiden‘s Seventh Son of a Seventh Son and King Diamond‘s Them come to mind immediately), but what are some of your favorites from 1988? Discuss in the comments, why don’t you? You can also look me up and continue the discussion on Facebook, Instagram (stayheavyblog), and Twitter (@stayheavyalways).

Thanks for reading, and remember, wherever you go, whatever you do, always stay heavy.

 

 

Mixtape Monday (Friday Edition) Volume 11: Everything Looks Like a Target To Me

I had a pretty shitty day at work on Wednesday, and when I came home, I started putting this Mixtape together. It was inspired by one particular person at work, and I’ve calmed down considerably since, but the person who inspired it can (and very much should) still fuck off. Really though, this mix is just about being pissed off, and sometimes, you need that. This is in no particular order.

Exodus – “A Lesson in Violence” (from Bonded By Blood – 1985) – “You motherfuckers better give it up for Exodus!” If you don’t believe me, listen to the entirety of this scorching live version from one of the best live metal albums ever, Another Lesson in Violence. After you’re finished with this mix, you should probably go ahead and listen to the entire album. It seriously rules.

Minor Threat – “Small Man, Big Mouth” (from Minor Threat – 1981) – This song was on my mind while I was at work that day, and while it’s technically about little guys who overcompensate for their size by being assholes, it’s important to remember that some small men are regular-sized, and are also assholes.

Tool – “Ænema” (from Ænima – 1999)  – I’m not the biggest fan of Tool by any stretch of the imagination, but I have nothing against them. I absolutely fucking adore this song, and the video is creepy as shit, as Tool videos tend to be.

“Some say the end is near.
Some say we’ll see armageddon soon.
I certainly hope we will
I sure could use a vacation from this

Stupid shit, silly shit, stupid shit…”

Metallica – “Damage, Inc.” (from Master of Puppets – 1986)

“We chew and spit you out
We laugh, you scream and shout
All flee, with fear you run
You’ll know just where we come from…”

AC/DC – “Dirty Deeds Done Dirt Cheap” (from Dirty Deeds Done Dirt Cheap – 1976) – My brother got this tape (along with Led Zeppelin I) for Christmas when I was about 5 or 6 years old, and both albums had a profound influence on me. Dirty Deeds is still my favorite AC/DC album.

Big Business – “I’ll Give You Something to Cry About” (from Here Come the Waterworks – 2007) – I’m only really familiar with this one Big Business album, but if it was the only thing they’d ever released, they would still be fucking legendary.

“I’d like to forgive and forget, but I can’t
It’s just one of the ways that I’m petty…”

Black Flag – “Clocked In” (from The First Four Years compilation – 1983) – This job prompted me to share this song on my personal facebook page once before. The Dez Cadena version is superlative. I’ll fight you about that.

Cannibal Corpse – “Puncture Wound Massacre” (from Vile – 1996) – This song is cathartic as a motherfucker.

“I only see red, rage exploding
Two knives, one mind, that hate has broken…”

Brujeria – “Matando Gueros” (from Matando Gueros – 1993) – If you don’t know the story of Brujeria, you should look them up. Their name is Spanish for “witchcraft”, and they kick a ton of ass. The title of this song translates roughly to “Killing White Boys”. None of this should be confused for the Shakira song “Brujería”; I haven’t heard it, but I am 100% confident that they are unrelated.

Rage Against the Machine – “Killing in the Name” (from Rage Against the Machine  – 1992) – “Fuck you, I won’t do what you tell me!”? You’d better believe this song and album made a major impact on 15-year-old me.

Clutch – “Binge and Purge” (from Transnational Speedway League: Anthems, Anecdotes, and Undeniable Truths – 1993) – Clutch hasn’t always been the blues-infected groove juggernaut they are today. They came to life in 1991 with a very rough hardcore-tinged sound, as heard on their earliest releases, 1991’s Pitchfork 7″ demo, 1992’s Passive Restraints EP, and to a lesser extent, their 1993 full length debut. I don’t listen to their earlier stuff as much, but some of those old songs are absolute classics. “Binge and Purge” is one of them. It is pure, unbridled adolescent rage, and it’s also where I got the title of this Mixtape.

Faith No More – “Surprise! You’re Dead!” (from The Real Thing – 1989) – I love Faith No More, but I was quite disappointed in their recent comeback album. Sometimes I think about giving it another chance, but with a back catalog that includes songs like this, why bother?

Grim Reaper – “See You in Hell” (from See You In Hell – 1983) – My brother used to have this tape in his room, and I was scared of it. When I finally got around to looking this song up a few years ago, I was surprised to find that it was so much less heavy and evil (and so much goofier!) than I remembered.

Vio-Lence – “Serial Killer” (from Eternal Nightmare – 1988) –  This song has been shared on these pages before, but I don’t give a shit; it should be listened to at least once a day. The first Vio-Lence album is a crash course in Thrash Metal Gang Vocals 101 and Thrash Metal Riffs 201. Fucking amazing.

Overkill – “I Hate” (from The Years of Decay – 1989) – This song probably best sums up my overall feeling from that shitty, shitty work day that inspired this kickass mix, so I’m gonna include the lyrics in their entirety, as transcribed on The Metal Archives.

So much trouble
Hate this job
Tried to get out
Trapped like a dog
No, I don’t like
Pumpin’ gas
Do ya hate to wait?

Life’s a game
We play your rules
Bottle half empty
Or the bottle half full
It does no good
No good to shout
But I scream, I hate

Say I’m hostile,
Gotta relax,
Gotta get a grip,
Here’s the facts:
I hate bein’ here!

I hate people that make you feel small
I hate having my back against the wall
You know, I hate being talked down to

I hate your rules
I hate ’em all
Hate being marked to take the fall

Planet’s not big enough for me and you

So much trouble
Over me
Surrounded by jerks
Can’t ya see?
Smile to my face
I know you lie
Knife in the back

Another game
Rules, rules, rules
Not for me
Ya fuckin’ fool
Open your mouth
Just one more time
And my foot’s goin’ down

In one ear
Out the other
A waste of time
Don’t even bother,
I hate being here!

I hate people that make you feel small
I hate having my back against the wall
You know, I hate being talked down to

I hate your rules
I hate ’em all
Hate being marked to take the fall

Planet’s not big enough for me and you
But most of all
I hate you…

YOU! I hate you
YOU! I hate you
I hate, I hate, I hate, I hate you

[Solo]

I hate people that make you feel small
I hate having my back against the wall
You know, I hate being talked down to

I hate your rules
I hate ’em all
Hate being marked to take the fall

Planet’s not big enough for me and you
But most of all
I hate you…

Think I know
How you got this far?
Think I know how you
Got where you are?

Think I’ll hate you
When you’re dead?
I know I’ll hate ya

Smile to my face
Know you lie
Say I got problems?
Ask yourself why

Hate the games
I hate the rules
You’re gonna lose

Say I’m hostile,
Gotta relax,
Better get a grip,
Here’s the facts:
Not much more of you!

I hate people that make you feel small
I hate having my back against the wall
You know, I hate being talked down to

I hate your rules
I hate ’em all
Hate being marked to take the fall
Planet’s not big enough for me and you
But most of all
I hate you…

I hate people that make you feel small (I HATE YOU!)
I hate having my back against the wall (I HATE YOU!)
I hate being talked down to

I hate your rules
Every one (I HATE YOU!)
Hate having counted you number one
I hate being placed at number two
But most of all
I hate you
I hate you
I HATE YOU!

I HATE!

That’s all for now. Stay heavy, friends.

Thrash Thursday: The Eternal Nightmare of Kroger

I was making some brownies earlier tonight, and discovered quite last minute that I was out of peanut butter chips.  I said some swear words, covered the brownie batter with plastic wrap, said some more swear words, put on my coat, and got in the car to drive to Kroger, which is the nearest store to my house.  The entire trip should have taken no more than 15 minutes.

When I got to the store, the parking lot was a madhouse.  After locating a parking space, I walked inside to find the entire floral department (which I had to walk through in order to get where I needed to go) abuzz with dumbasses standing around with bouquets in their hands, none of them knowing what to do next.  I finally made my way through them, got to the “Baking Needs” aisle, and on the other side of two unattended shopping carts (the owners were standing about 5 feet away, yammering on about some kind of inane bullshit), I found an empty  Reese’s® Peanut Butter Chips display box.  I began to scan the shelves frantically, looking for an inferior store brand peanut butter chip, but to no avail (one more reason why Marsh is the superior large grocery chain in southern Indiana).  As I began to leave the aisle, one of the women whose cart was in my way issued a half-assed apology to me.

I decided to check the natural foods section and found a bag of organic peanut butter chips for 9 FUCKING DOLLARS.  I said “Fuck this!” and decided to grab a bag of Reese’s® Pieces, along with a couple of other things I needed, and get the hell out of there.  I had to weave my way around and through more dumbasses standing around in front of the Valentine’s Day displays, got my three items, and proceeded to the self-checkout, because with very few exceptions, the Kroger stores in this town are not known for having friendly cashiers.  I scanned my three items, pressed the button to proceed to the payment screen, and then the screen informed me that the attendant had been notified to assist me (for absolutely no apparent reason, I might add – all three items were scanned and bagged, I had no coupons, and I was paying with my debit card).

A full 15 seconds passed while I shot eye-daggers of hatred into the back of the attendant’s head, then she looked up at her computer screen, pressed a button, and my transaction was finished.  I zipped through a final run of morons, made it out the door and back to the car, pulled out of my spot, and was almost backed into by some jackass who could not manage to park their giant goddamn SUV.  Then I got stuck behind another jackass, who was waiting in the main thoroughfare (without a turn signal, of course) while some dipshit took forever to back their car out of their parking space, so the no-turn-signal-using jackass could park as close to the door as possible (to go and stand around the Valentine’s Day displays like a dumbass, I’m sure).

What’s the point of all this, you ask?  The point is that I listened to Vio-Lence on the way home, and it made me feel better.

Happy Thrash Thursday.

Stay heavy.