We Carry On: A Voivod Primer, Part 4

What follows is Part Four of a multi-part series about the groundbreaking and visionary French-Canadian progressive metal band Voivod.  Part One can be found here, Part Two can be found here, and Part Three can be found here.

After Eric Forrest’s automobile accident and the hiatus that followed, Voivod decided to call it a day, and in 2001, they disbanded, and the world was worse off for it. However, through some beautiful set of circumstances with which I am not entirely familiar, Away and Piggy reunited with Snake, and Voivod was reborn, not unlike Anark. One of the reasons for the reunion was certainly the interest of long-time fan and collaborator Jason Newsted, who joined the band on bass guitar following his departure from Metallica. Voivod Code Name: Jasonic.

The first album recorded by Voivod Mark III (or possibly Mark IV), 2003’s Voivod (which was released on Newsted’s own label, Chophouse Records), finds the band returning to a sound not far removed from 1993’s The Outer Limits. And while I don’t think the former quite stands up to the latter, the songs are pretty great overall, and some of them are utterly fantastic. It’s certainly better than anything Newsted did with Metallica post …And Justice for AllRolling Stone gave it 2 stars (out of a possible 5), but then, Rolling Stone has put Li’l Wayne on their cover three different times, so Rolling Stone clearly knows as much about good music as Billy Ray Cyrus.

“Gasmask Revival” kicks the album off in fine form, although it’s a little more straightforward than most Voivod songs.

Track three, “Blame Us”, is where things start to sound a bit more Voivod-esque…

And by the time we get to track six, “The Multiverse”, things appear to be right in…well, the multiverse…

“Invisible Planet” is also tight as hell. It’s also worth noting that Snake’s spoken part at the end of the song proclaims “This is Voivod Mark III, emergency!” and while I reckon that the band would be the ultimate authority as to which version of the band is responsible for which albums, the idea that the post-Blacky/pre-E-Force years (Angel Rat and The Outer Limits) should be Mark II is not without merit. However, it gets even more confusing a bit further down the line, and all that really matter is that Voivod is still putting out kick ass music. Mark it VIII if you have to, dude. Voivod is better than your band.

Following the release of Voivod, the band scored a slot on the second stage at Ozzfest 2003, with Newsted playing bass for both them and Ozzy Osbourne, and for a moment, it seemed that everything was comin’ up Milhouse.

If you're a fan of the Simpsons, you owe it to yourself to visit frinkiac.com.

If you’re a fan of the Simpsons, you owe it to yourself to visit frinkiac.com.

Then, the cosmic conspiracy reared its ugly head once again, when Piggy was diagnosed with colon cancer. He passed away on August 26, 2005, at the way-too-goddamn-young age of 45, and anyone who thought that the band was finished would not have been called crazy for thinking such. But as Larry told his class in Throw Momma From the Train, “a writer writes, always”, and that’s just what Piggy did after his diagnosis.

Turns out the formidable master of riff mindfuckery had recorded riffs onto his laptop before he died, and he told Away how he wanted said riffs to be utilized, and the end result was two more posthumous albums, 2006’s Katorz [a phonetic spelling of “quatorze”, the French word for fourteen, as it was the band’s 14th album (including live and compilation albums)], and 2009’s Infini, both of which consist of more straight-ahead, hard driving Voivod songs in a similar vein to their self-titled comeback.

The band produced three videos for Katorz, album opener “The Getaway” and album closers “The X-Stream” and “Polaroids”. The video for “Polaroids” is super-cool, and features some of Away’s artwork overlaid onto footage of industrial landscapes. In addition, “The X-Stream”, was included in Guitar Hero II, which you may recall was taking the world by storm at the time.

The announcement of the release of Infini was met with some surprise, as many people assumed that Katorz would be the last Voivod album, but Piggy had too much inside his by all accounts beautiful soul for just one final album, and Infini received a bittersweet release on June 23, 2009. It’s my favorite album from the Jasonic era of Voivod, but it’s also the first album the band released after I got into them, so that probably has something to do with it.

“God Phones” is a solid way to start things off…

“Morpheus” was featured on this blog before, but it’s too damn good to not mention again. The lyrics are inspired by Piggy’s time in the hospital and his subsequent death, and they are incredibly spooky and heartfelt.

“You came to see me, don’t want to see you
I live in my world, so do not disturb
The thing inside me, won’t let me free
It is so unreal, it’s not a bad dream…”

Album closer “Volcano” mercifully brings the mood back up, because that shit was heavier than a really heavy thing, with apologies to Devin Townsend.

So after the release of Infini,  Voivod was finished, right? I mean, one of their principal songwriters and founding members had lost his battle with that motherfucker known as cancer, so surely they couldn’t carry on, right?

Wrong, asshole! Did you even read the title of this piece?

But that’ll be the topic of Part Five, coming soon(ish), but probably not that soon. Until then, wherever you go, and whatever you do, remember to stay heavy. Do it for Piggy.

Also, I’m sorry I called you an asshole. I love you all, except for the assholes. You know who you are, assholes.


Thrash Thursday, Official Volume 1: The Final Testament

Happy Thrash Thursday!  This is the first time since starting this blog that I’ve had both the time and the motivation to put together a Thrash Thursday post on Thrash Thursday, and I’m pretty stoked about that.  Hopefully this will be the beginning of an amazing run.  Or at the very least, y’know…a run.  Onward!

If you need to catch up on the story of Testament, as told by me, you can do that here and here.  You’ll note (or perhaps recall) that this story began as a tangent from a related topic, a common occurrence for me.  The original topic will be revisited here eventually.  In case you’re in a hurry, or simply can’t be bothered to click links, here are the essentials you need in order to be caught up for The Final Testament:

1. Testament formed in Oakland, California in 1983 as Legacy, featuring Steve “Zetro” Souza on vocals.  Souza left the band in 1986 to join Exodus, and Chuck Billy took his place.  The band changed their name to Testament that same year.

2. Testament has had several line-up changes over the years – the only original member from the 1983 formation is rhythm guitarist Eric Peterson.  Peterson and Billy are the only two members who have remained in the band since 1986.

3. Testament’s sound has evolved from their pure, godly thrash metal origins, experimenting with death metal sounds, and, like most of the 1980s thrash bands, flirting with groove metal a bit as well.

4. Testament is my #1 All-Time Favorite Thrash Metal Band (and #2 All-Time Favorite Band, after the almighty Iron Maiden).

With that, The Final Testament begins…

After the release of the ultra-heavy The Gathering in 1999, veteran guitarist James Murphy was diagnosed with a brain tumor.  The tumor was successfully removed, but Murphy has no memories from the recording of The Gathering.  He continues to write, record, and produce music today.  In 2001, vocalist Chuck Billy was diagnosed with a rare form of cancer called germ cell seminoma.  This type of cancer usually afflicts the testicular region, but Billy’s cancer was even more rare, as it grew his chest.  A fundraiser called “Thrash of the Titans” was held to raise money for Billy’s treatment.  Many Bay Area Thrash Metal bands (as well as some non-Bay Area Thrash Metal bands) performed at the event, some – such as Death Angel and Vio-Lence – for the first time in years.

ThrashOfTheTitansPosterSeriously, look at that fucking lineup!

A Legacy reunion was part of the lineup as well, featuring Zetro on vocals, and former Legacy/Testament lead guitarist Alex Skolnick, who left the band in 1993.  Original bass player Greg Christian also joined the band onstage, though bass duties were largely handled by fretless bass wizard/then-current Testament member Steve DiGiorgio.  In 2001, Testament went into the studio and recorded First Strike Still Deadly, a collection of re-recordings of songs from the band’s first two albums.  The lineup for this album was Chuck Billy on vocals (Souza recorded vocals on the last two songs), Eric Peterson on rhythm guitar, Alex Skolnick on lead guitar, Steve DiGiorgio on bass guitar, and John Tempesta on drums.

“Disciples of the Watch” from First Strike Still Deadly (2001) (originally appeared on 1988’s The New Order)

By 2003, Chuck Billy was cancer-free, and the band began performing live again, with a different lineup again.  Aside from Billy, Peterson, and DiGiorgio, the names don’t matter much.  Here’s what does matter: in 2005, Testament announced a brief European tour called “The 10 Days of May”.  The lineup for this tour was Billy and Peterson in the usual positions, along with the return of Alex Skolnick and Greg Christian.  Drumming duties were split between John Tempesta and original drummer Louie Clemente.  The tour was a smashing success, and the band went on to tour more of Europe, Japan, and the United States with the same lineup.  An outstanding DVD (Live in London)  was released in 2005, after the original tour.

“Electric Crown” from Live in London (2005) (originally appeared on 1992’s The Ritual)

The band was rejuvenated, and the original members (sans Clemente) began writing music together for the first time since 1992.  In 2007, Paul Bostaph (formerly of Forbidden Evil, formerly and currently of Slayer) rejoined the band on drums, and in 2008, most of the original lineup of Testament released the monumental The Formation of Damnation, their first studio album of original material in nine years.  It’s not their best album, but it’s a damn fine return to form for a band so fraught with hardship and strife.

“More Than Meets the Eye” from The Formation of Damnation (2008)

The band continued to tour like mad, and also began to write new material for another album as early as 2009.  In 2011, they were set to record their tenth album when Paul Bostaph was sidelined due to a wrist injury.  Drum maniac Gene Hoglan re-rejoined the band to assist in recording (Lamb of God’s Chris Adler contributed as well), and on July 27, 2012, Testament released one of the best and heaviest albums of their career, Dark Roots of Earth.  Absolutely punishing riffs, drumming, and bass work form a nearly impenetrable wall over which Billy screams (and occasionally sings) like a man possessed.  Highlights include the entire fucking album.  Seriously, not a single weak spot.  Three-quarters of the members of the “Big Four” wish they could still create something so fierce and relevant.

“Native Blood” from Dark Roots of Earth (2012) – Chuck Billy is a member of the Pomo Indian tribe of Northern California.  This video won the Video of the Year Award at the 2012 Native American Film Festival.

“Dark Roots of Earth” from Dark Roots of Earth (2012) – This song is another example of Testament’s social awareness, which, savvy readers may recall, is how this entire series on the band began.

The deluxe edition of the album also features three cover songs – “Animal Magnetism” by the Scorpions, Queen’s “Dragon Attack”, and this little number:

“Powerslave” from Dark Roots of Earth (2012) (originally recorded by Iron Fucking Maiden)

The band has pretty much toured their asses off (with Gene Hoglan staying on as the official drummer) since, and in 2013, they released a live CD/DVD combo entitled Dark Roots of Thrash, recorded live on February 15 at a sold-out show at The Paramount Theater in Huntington, New York.  It is a perfect snapshot of a fucking amazing veteran heavy metal band at the absolute top of their game.  It has caused me on more than one occasion to mosh around my living room like I was 14 years old.

“Rise Up” from Dark Roots of Thrash (2013)

Earlier this year, the band announced that they were amicably parting ways with bass player Greg Christian.  The news makes me sad, as I truly believe Greg Christian is one of the great unsung metal bass gods, but the band’s choice to replace him couldn’t be better, as Steve DiGiorgio has re-re(re?)joined Testament.  If this lineup stays in place, I imagine their next album, which should be released later this year, could be a serious contender for The Heaviest Thing Ever Recorded.

That wraps up The Story of Testament, as told by me.  It is a story that, all told, features no less than 25 characters (I didn’t include all the characters, because I’d still be writing Part 2 if tried to manage that).  It is a story of perseverance.  It is a story of seriously kicking ass.  It is a story of asking no quarter and giving none in return.  And like all the stories I share here, it is a story of staying heavy, always.  Enjoy the rest of your Thrash Thursday, friends!