I’m Tired of the Games We Play, I’m Cashing in My Chips Today: Yet Another Brief Update

Friends, this already completely bitchin year of live music somehow keeps getting even more amazing. Since my last very brief update, four more outstanding shows have been announced, 3 of which I will absolutely be attending (the other is a very long long shot).

Before I get into that, though, I wanna mention that my virgin Metallica experience is nigh (only 7 more sleeps!), and I’m getting giddy as a schoolboy at a nudie bar. A detailed account of my experience will surely be posted here sometime thereafter, but for now, on with the shows!

First up, the mighty Death Angel is headlining a show in Indianapolis in April the week before their show with Overkill in Louisville! I’m gonna see Death Angel two times in less than 7 days! Holy shit!

Looking into the distance, the relentless touring machine that is D.R.I. will be stopping in Indy again this September, like they do almost every year, but my work situation this year will allow me to finally get back up there and see them, and that is some exciting news. I managed to see them once a few years back, and it was an absolutely killer show. I have no reason to assume that this show will be otherwise.

But the biggest and arguably most exciting news just came along this morning: motherfucking Sacred Reich added a headlining show in Indianapolis in May! I’M FINALLY GONNA SEE SACRED MOTHERFUCKING REICH LIVE! I sincerely don’t think I could be more excited about this one. Plus (PLUS!), it comes 5 days after The Mountain Goats show in Bloomington and 2 days before the EyeHateGod show in Indianapolis! Holy week of kickass live music, Batman!

As for the very long long shot, this year’s Full Terror Assault in Cave-in-Rock, Illinois added the newly re-formed Vio-Lence to the lineup, but I’m not likely to be in attendance for that one, as it falls very close to Mrs. Stay Heavy’s birthday, and camping and attending a metal festival is not on her birthday wishlist. However, the news that the band is playing shows again is encouraging, so I may still get a chance to see them someday. For now, that’s good enough.

And speaking of good enough for now, I think this post is. Thanks for reading, and stay heavy, friends.

Advertisements

Shoes Don’t Fit, I Don’t Fit: Another Super-Brief Update

If you read my most recent post, you already know that I’m very excited about a lot of upcoming shows over the next year. That post went up on Thursday, and the next day, another completely ass-kicking show was announced: the almighty, unfuckwithable EYEHATEGOD is headlining a show in Indianapolis on 5/20, with grind heroes Phobia offering direct support!

If you don’t know Eyehategod’s music, there’s not really much I can do to prepare you for it. It’s abrasive, caustic, ugly, angry, misanthropic, nightmarish, and yet strangely beautiful in its own fucked up way. Frontman Mike IX Williams once said in an interview “We call ourselves a modern-day blues band. It’s like if John Lee Hooker listened to Black Flag, he would sound like Eyehategod.”

From that same interview: “I admit, freely, that we stole from the Melvins, we stole from Black Flag, Trouble, Saint Vitus. All those bands were doing it before us, but we just wanted to mix it. I call it “crossover,” but most people think of crossover, they think of thrash metal or funk metal. But Eyehategod is a punk/metal band, it’s just slower. It’s the same elements, just in a whole different style.”

I’ve seen them live once, when they opened for Corrosion of Conformity and Black Label Society, and I was already into their music, but that show made me a true believer. I highly recommend you check them out if they stop anywhere in your area.

Further evidence…

This song hasn’t left my head since the first time I heard it. It might contain my favorite riff ever:

Here’s a full show, if you have the time to watch it (if you don’t, you should make time for it):

Also, Phobia is gonna be there!

Sweet sainted mother of Alan Alda, y’all! This is gonna be a rager! Thanks for reading, and stay heavy, you heavy mothefuckers.

You Are Coming Down With Me, Hand in Unlovable Hand: A Brief Update

Ahoy there, friends. It’s been a very long time since I’ve done anything with this sumbitch, and I’m not here to claim that that’ll change anytime soon, because I know myself, and myself is pretty lazy unless something is required of it. However, this year is shaping up to be a doozy of a motherfucker in the live music field for yours truly, and a few minutes ago, a text from Mrs. Stay Heavy reminded me of the imminence of said live music, so I thought I’d take a few minutes to share some of the upcoming shows that I am looking forward to in the coming year.

First up (and this is a big one): I’m finally gonna see fuckin Metallica live, in Louisville, KY! I know that the band has become a shadow of its former self (I’ve expressed that sentiment in these pages plenty), but I also know that they are one of the primary reasons I’m sitting here writing about this right now (for better or worse). Metallica™️ causes me a wide range of emotions (mostly negative), but Metallica will always be one of my favorites. My amazing wife bought us tickets for my birthday last year, and one of my childhood dreams is about to come true in 30 days. There’ll almost certainly be more to come, re: this.

I’d be over the fucking moon if they played this one…

Approximately one week later, we’re going to see Clutch with Big Business in Indianapolis! It’ll be my 8th or 9th time seeing Clutch live, and the first time in about 5 years. My feelings regarding Clutch have been documented here briefly, but I will say that after two less than stellar albums, they’ve found their way back into my life, and their most recent album, Book of Bad Decisions, kicks a lot of ass. It’ll be my first time seeing Big Business live, but they fucking rule, and I’m super stoked about that. It’s only my second time seeing Clutch with an opening act that I am already familiar with (last time I saw them, The Sword was direct support), and I’m into that. There’s another band opening; they’re from France, and they’re called The Inspector Cluzo, and I don’t know much about them, but based on the songs I’ve listened to, they sound cool, and they sound like a band that would open for Clutch.

In April, Overkill and Death Angel are playing a show in Louisville on my cousin Jason’s birthday. Death Angel is his favorite band, and if you’ve read much of this blog, you’ll know that I love them like they were my own child, so we’re both super stoked about that. I’m also psyched about Overkill, as I haven’t seen them live yet, and that’s pretty stupid of me, quite frankly.

Act of Defiance is opening the shows, but I won’t share anything from them yet, as I haven’t looked into them yet, because I currently cannot stop listening to the Mountain Goats, which leads us into May…

…when I’ll be seeing the Mountain Goats for the first time, here in Bloomington. They’re not musically heavy, but their lyrics can be heavy as fuck, and Mountain Goat/guitarist/vocalist/lyricist John Darnielle is a huge fan of heavy music, and used to write a fucking amazing, hilarious, sometimes surreal column called “South Pole Dispatch” for Decibel magazine. It’s sure to be a great time.

A few days after the Mountain Goats show, Iron Reagan, Sacred Reich, and fucking Leeway (!) are playing in Chicago, but there’s only like a 2% chance I’ll be able to make it to that one. I really wanna see Sacred Reich and Leeway live. Someday, I suppose. There’s a band called Enforced opening the shows as well, but I don’t know anything about them, and since I won’t likely be in attendance, I haven’t bothered looking into them. I’ve been working on a thing about Leeway for a while now, and that’ll possibly be finished eventually, maybe.

In August, Iron fucking Maiden returns to Indianapolis for the first time since 2012, this time on the Legacy of the Beast tour. There’s not much I can say about this one, but I can guarantee that my voice will be shot for at least a day afterward.

Also, while I will not be in attendance, the almighty Vio-Lence are reuniting to play two shows in San Francisco April 13th and 14th. The first day they’ll be playing their 1988 masterpiece Eternal Nightmare in its entirety for the first time ever. If I win the lottery before then, I’ll certainly find a way to attend one or both of those shows, but in reality, I’ll just be here in southern Indiana, jamming Eternal Nightmare like I do any other given day.

Sweet mother of Jeebus, y’all, that’s a heavy goddamn year, and it’s only February, so more shows are sure to be added. Thanks for reading, stay tuned, and as always, stay heavy.

Another Quick Update

imnotdeadyet

I don’t have much time today, but I wanted to check in and confirm that I am, in fact, still here. I have to go back to work tomorrow after three weeks off, and naturally I spent zero time writing anything for this blog. I like to think I’ll get back on the blog horse in 2017, but I have a long history of half-assing things, even things I really enjoy doing. What usually happens is that I’ll get overwhelmed with ideas and can’t decide which idea I should follow first, so I just stop.

But I’m gonna try really hard to whole-ass Stay Heavy this year, because I still have a shitload of ideas, and because I really like writing. I’m currently researching what might end up being a multi-part feature on the role of heavy metal in the Satanic Panic of the 1980’s, which is a topic I find extremely fascinating, immensely frustrating, and often utterly infuriating.

Until next time, heavy people, please do remember to stay heavy.

Mixtape Monday (Friday Edition), Volume 10: Sadness Will Prevail

I haven’t done one of these mixtapes in a while, but I find myself with time to write and unable to think of much to say. One of my best friends left town yesterday to move 1,000 miles away, and I’m fuckin sad about it. I spent a while pretending it wasn’t really happening, then as time marched forward in its unceasing way, I tried to not think about it. At his going away party last Saturday, I may or may not have broken down and cried in front of everyone (I did) (although alcohol may have played a role in said possible breakdown), and since I last saw him Wednesday night, I’ve just been in a weird funk, and I thought maybe putting together a sadness-themed mix might help me move past it.

i-had-friends-on-that-death-star

Part of the sadness is undoubtedly due the fact that he’s one of like 4 friends who lives around here who doesn’t have any kids, and please do not misunderstand – I love my friends with kids (and those kids) dearly, but with Mrs. Stay Heavy and myself being in our mid-to-late 30’s, childless friends are becoming more rare these days than a PhD at a Five Finger Death Punch concert, and sometimes we wanna hang out with no kids around, y’know?

Aside from his lack of dependents, though, he’s just an all around awesome guy. Like me, he grew up watching the Golden Era of professional wrestling. Like me, he’s a fan of horror and science-fiction, and a music aficionado (although his tastes do not lean as heavy as mine), plus he’s the only person I’ve ever known who always gets it when I quote The Simpsons.

My selfish sadness aside, I understand why he moved, and it’s not like I’m never gonna see him again. I know I’ll get over it, and if I don’t, then it’s my problem, isn’t it? Either way, let’s move on to the substance of this post, then shall we?

These are in no particular order, and the title of this mix is taken from an album by Today is the Day. I included a song of theirs here, but nothing from that album, because I’m not familiar enough with it. Also, I wanted to include something from Louisiana sludge kings Acid Bath, but everything of theirs that gets put up on YouTube gets taken down almost immediately. You should check them out on your own time, though. You can just pick a song, and it’s pretty much guaranteed make you sad, creep you out, or, in many cases, both.

Anyway, this is for you, Sal, even though you’d probably only like maybe two of these songs.

Life of Agony – “Let’s Pretend” (from Ugly – 1995) – I have plans to write about Life of Agony at length, hopefully sooner than later, so I don’t want to say too much here, but sweet merciful crap, is this song ever sad.

“But sometimes I like to pretend, that she knows me, that she holds me…
I guess I can’t, ’cause she doesn’t know who I am.”

Metallica – “Fade to Black” (from Ride the Lightning – 1985) – If you’re reading these words, I’m going to assume you’ve heard this song at least a few times before, so I’ve included the live version from the Cliff ’em All home video, which you should own.

“No one but me can save myself, but it’s too late
Now I can’t think, think why I should even try.”

Type O Negative – “Bloody Kisses (A Death in the Family)” (from Bloody Kisses – 1993) – If you’re not familiar with Type O Negative, you might be surprised to learn that they were often light-hearted and hilarious in their lyrics, with late singer/bassist Peter Steele planting his tongue so firmly in his cheek that plenty of people didn’t get the joke. However, when Type O Negative made a sad song, Type O Negative went ahead and made a sad, sad bastard of a song. RIP Mr. Steele.

“A pair of souls become undone
Where were two, now one
Divided by this wall of death, I soon will join you yet.”

My Dying Bride – “The Cry of Mankind” (from The Angel and the Dark River – 1995) – Since the late 1980’s, British indie label Peaceville Records has been putting out some extremely high-quality extreme music. Bradford, England’s miserable sonsabitches My Dying Bride, along with Paradise Lost and Anathema, were part of what was known as the “Peaceville Three”. All three bands were signed to Peaceville in the early 90’s (when metal was dead), and were pioneers in the death/doom metal genre that has since blossomed like a rotting black rose.

“I will make them all lie down
Down where hope lies dying.”

Voivod – “Morpheus” (from Infini – 2009) – I’m still working on my continuation of the Voivod saga, the first three parts of which can be viewed here, here, and here, so I don’t want to discuss this album much, but I will say that the lyrics were inspired by late guitarist Denis “Piggy” D’Amour’s death from cancer. RIP Piggy.

“The thing inside me, won’t let me be
This nightmare is real, let me out of me.”

Iron Maiden – “When the Wild Wind Blows” (from The Final Frontier – 2010) – This is the last song on what is currently Iron Maiden’s most recent studio album (The Book of Souls is out in less than one month!), and it’s my favorite song on that album by a pretty wide margin. The song is inspired by a 1982 graphic novel called When the Wind Blows, and by a 1986 animated film of the same name, however, the song has a different ending than the book and movie. I am not ashamed to admit that I cried the first time I listened to this song, and, in fact, I have cried many times since while listening to it, most recently when I watched the video below, which uses scenes from the movie.

“Have you heard what they said on the news today?
Have you heard what is coming to us all?
That the world as we know it will be coming to an end
Have you heard, have you heard?”

Candlemass – “Solitude” (from Epicus Doomicus Metallicus – 1986) – I only know like three songs from Swedish doom merchants Candlemass, but all three of them rule. I should listen to more of them, and you should, too.

“I long for my time to come
death means just life
Please let me die in solitude.”

Testament – “Cold Embrace” (from Dark Roots of Earth – 2012) – I don’t really have anything new to add, re: Testament, as it’s all pretty well documented. Just look around. See?

“The sun will never shine on you
Daylight blinds your way…
Now accept this cold embrace.”

Vallenfyre – “Seeds” (from A Fragile King – 2011) – Vallenfyre began as a side project formed by Paradise Lost guitarist Gregor Mackintosh to write out the pain he was feeling after the death of his father. Hamish Glencross, formerly of My Dying Bride, plays guitar in the band as well, so the misery pedigree is not to be fucked with.

“I face an eternal winter
Without you I will cease
You were my idol
I am your priest.”

Suicidal Tendencies – “Nobody Hears” (from The Art of Rebellion – 1992) – This song instantly transports me back in time, to the days when metal was dead, and Suicidal Tendencies, Pantera (“Walk”), and Sacred Reich (“Crawling”) all had songs in rotation on the “alternative rock” station out of Indianapolis, all receiving regular airplay alongside the likes of HelmetWhite Zombie, and others. This song is a bit of a rarity in the ST catalog, in that it does not have a positive resolution at the end. It just starts and ends as a bummer. It still kicks a ton of ass, though.

“So what do I have to do
To make you comfort me
Now I’m sitting here screaming inside myself
Don’t understand why nobody hears.”

Thergothon – “Crying Blood + Crimson Snow” (from Stream From the Heavens – 1994) – To be perfectly honest, I know very little about Thergothon, except that they were a Finnish band, and are considered one of the first bands to play the style that has since come to be known as “funeral doom”, which means they obviously fit this theme.

“Oh, the everlasting winter of my soul
Ice burns my skin, I writhe in cold and grief.”

Anthrax – “A.D.I./The Horror of It All” (from Among the Living – 1987) – As a kid, I used to try and figure out what “A.D.I.” stood for, thinking it must be something deep and profound, only to find out a few years ago that it was short for “Arabian Douche(bag) Intro”. Depending on the source, it was either a way to poke fun at the then-common practice of Bay Area Thrash bands including an acoustic intro to big, bludgeoning tracks, or a way to poke fun at then-lead guitarist Dan Spitz, who was always tooling around with it before it was included as the intro to “The Horror of It All”, which is a song about the death of a loved one.

“You’re not supposed to question, but why’s there so much pain
When someone’s taken from you?
What can you do or say?”

Today is the Day – “Death Curse” (from Pain is a Warning – 2011) – Aside from one song on a Relapse Records sampler (I can’t remember which song, but I think it was “In the Eyes of God”), Pain is a Warning was my introduction to Today is the Day. I bought it at the now-defunct Ear-X-Tacy Records in Louisville, KY, along with Hater by Total Fucking Destruction and the vinyl reissue of D.R.I.‘s Crossover, and at the time, I was working a job that was slowly destroying my soul. Pain is a Warning played a pretty significant role in my survival of that year. I adore it from beginning to end.

“It’s a lie
It’s a lie
Work until you die
It’s my life
Liars!
Liars!
Work and then you die
Death curse!”

Deftones – “Teenager” (from White Pony – 2000) – Here’s a nice mellow way to wind things down. I don’t care what anyone else thinks about the Deftones; I think they kick some serious ass, and I sincerely believe that they get unfairly maligned due to their association with shitty nü-metal bands, when they are, in fact, head and shoulders above nearly all their late-90’s/early 2000’s peers. I admittedly haven’t heard much of their work past their 2003 self-titled album, but I’ve yet to hear a Deftones song that I don’t enjoy. They really do  the whole quiet/loud dynamic thing exceptionally well, and this song is just heartbreaking.

“I drove you home
Then you moved away
New cavity moved into
My heart today.”

That’s all I got for today, heavy people. For the record, it did help alleviate my sadness a bit. Time will tell how long that lasts. Until next time, stay heavy, always.

Am I Right Or Wrong, Or Just Confused?: Yet Another Brief Update

Holy shit, it’s been far too long since I’ve sat down to update this thing. I’m finally reaching a state of normalcy re: my work schedule, so I’m committed to writing more regularly, because, if nothing else, my sanity requires it. I’m shorter on time that I thought I’d be, so for now I’ll just give an update on some upcoming heavy things that I am 100% stoked on right now, in chronological order.

1. Death Angel is releasing the long-awaited A Thrashumentary one week from today (it’s out today in Europe, lucky bastards)! The documentary DVD is accompanied by a live album The Bay Calls for Blood, which was recorded in the band’s hometown and the epicenter of 1980’s thrash metal, San Francisco, CA. I pre-ordered mine weeks ago, and I’m about to shit myself with excitement. More info here. Spoiler alert: it’s only 15 fucking dollars, plus shipping!

Get fuckin pumped, y’all!

2. Iron Maiden will be releasing their new album (and first ever studio double album), The Book of Souls, on September 4. Some of their post-1988 material has been hit-or-miss, but in my opinion, it’s been mostly hit, and if you’re any kind of regular reader of Stay Heavy, you know that I’d rather listen to the least good Iron Maiden than no Iron Maiden.

Here’s an Iron Maiden song that is not the worst:

3. MotörheadSaxon, and Crobot will be playing in Indianapolis on September 9, and there is a 98% chance that I’ll be there. Anthrax replaces Saxon in the direct support slot beginning September 12 in Detroit, and I would definitely rather see that version of the tour, but whatever; this is quite possibly the last chance I’ll get to see Motörhead live, and it’s not like I hate Saxon or anything.

4. Full Terror Assault, the first European-style open air metal festival to be held on this side of the Atlantic, will be happening at Cave-In-Rock, Illinois September 10-12. Napalm Death and Obituary are the headliners, and TerrorizerWarbeastEyehategod, and a whoooooole bunch of other kickass bands will be there. I will unfortunately be unable to attend this, but I urge everyone who can attend to do so; I want it to happen again next year. Oh, and if Cave-In-Rock sounds familiar to you, it might be due to the fact that it was the location of the Gathering of the Juggalos from 2007 until 2013. Hopefully there are no Juggalos (or Juggalettes) hiding inside the cave, or in the surrounding forest. More information about FTA can be found here.

5. D.R.I. will be playing a show in Indianapolis on September 30. I didn’t see them when they played Indy last year, and I won’t make that mistake again. This show is happening thanks to Metalhead Productions, the company responsible for bringing Death Angel to Indianapolis back in April. This will be a rager of epic proportions, friends.

6. Maryland Deathfest announced their final lineup for next year’s event, May 26-29, 2016. The announcement was made today, and I am going to try my goddamndest to go next year. I’ve wanted to make it out there every year so far, but one thing or another has prevented it every single time. But look at this lineup, y’all:

My head almost exploded three times already from looking at this.

My head almost exploded three times already from looking at this.

TestamentNuclear fucking Assault! (!), RepulsionHiraxParadise LostDischargeDoomVenom! Fucking GoblinGeneral SurgeryBuzzov-en! Holy shit, so much more!

I have to wrap this up, but keep your eyes on these pages in the coming days; I will be updating on a more regular basis, and I have so many ideas. You could “like” Stay Heavy on Facebook, or follow Stay Heavy on Twitter, or sign up for email updates down there at the bottom of this page. However you decide to keep up, make sure you stay heavy, always. Thanks for reading.