What follows is Part Four of a multi-part series about the groundbreaking and visionary French-Canadian progressive metal band Voivod. Part One can be found here, Part Two can be found here, and Part Three can be found here.
After Eric Forrest’s automobile accident and the hiatus that followed, Voivod decided to call it a day, and in 2001, they disbanded, and the world was worse off for it. However, through some beautiful set of circumstances with which I am not entirely familiar, Away and Piggy reunited with Snake, and Voivod was reborn, not unlike Anark. One of the reasons for the reunion was certainly the interest of long-time fan and collaborator Jason Newsted, who joined the band on bass guitar following his departure from Metallica. Voivod Code Name: Jasonic.
The first album recorded by Voivod Mark III (or possibly Mark IV), 2003’s Voivod (which was released on Newsted’s own label, Chophouse Records), finds the band returning to a sound not far removed from 1993’s The Outer Limits. And while I don’t think the former quite stands up to the latter, the songs are pretty great overall, and some of them are utterly fantastic. It’s certainly better than anything Newsted did with Metallica post …And Justice for All. Rolling Stone gave it 2 stars (out of a possible 5), but then, Rolling Stone has put Li’l Wayne on their cover three different times, so Rolling Stone clearly knows as much about good music as Billy Ray Cyrus.
“Gasmask Revival” kicks the album off in fine form, although it’s a little more straightforward than most Voivod songs.
Track three, “Blame Us”, is where things start to sound a bit more Voivod-esque…
And by the time we get to track six, “The Multiverse”, things appear to be right in…well, the multiverse…
“Invisible Planet” is also tight as hell. It’s also worth noting that Snake’s spoken part at the end of the song proclaims “This is Voivod Mark III, emergency!” and while I reckon that the band would be the ultimate authority as to which version of the band is responsible for which albums, the idea that the post-Blacky/pre-E-Force years (Angel Rat and The Outer Limits) should be Mark II is not without merit. However, it gets even more confusing a bit further down the line, and all that really matter is that Voivod is still putting out kick ass music. Mark it VIII if you have to, dude. Voivod is better than your band.
Following the release of Voivod, the band scored a slot on the second stage at Ozzfest 2003, with Newsted playing bass for both them and Ozzy Osbourne, and for a moment, it seemed that everything was comin’ up Milhouse.
Then, the cosmic conspiracy reared its ugly head once again, when Piggy was diagnosed with colon cancer. He passed away on August 26, 2005, at the way-too-goddamn-young age of 45, and anyone who thought that the band was finished would not have been called crazy for thinking such. But as Larry told his class in Throw Momma From the Train, “a writer writes, always”, and that’s just what Piggy did after his diagnosis.
Turns out the formidable master of riff mindfuckery had recorded riffs onto his laptop before he died, and he told Away how he wanted said riffs to be utilized, and the end result was two more posthumous albums, 2006’s Katorz [a phonetic spelling of “quatorze”, the French word for fourteen, as it was the band’s 14th album (including live and compilation albums)], and 2009’s Infini, both of which consist of more straight-ahead, hard driving Voivod songs in a similar vein to their self-titled comeback.
The band produced three videos for Katorz, album opener “The Getaway” and album closers “The X-Stream” and “Polaroids”. The video for “Polaroids” is super-cool, and features some of Away’s artwork overlaid onto footage of industrial landscapes. In addition, “The X-Stream”, was included in Guitar Hero II, which you may recall was taking the world by storm at the time.
The announcement of the release of Infini was met with some surprise, as many people assumed that Katorz would be the last Voivod album, but Piggy had too much inside his by all accounts beautiful soul for just one final album, and Infini received a bittersweet release on June 23, 2009. It’s my favorite album from the Jasonic era of Voivod, but it’s also the first album the band released after I got into them, so that probably has something to do with it.
“God Phones” is a solid way to start things off…
“Morpheus” was featured on this blog before, but it’s too damn good to not mention again. The lyrics are inspired by Piggy’s time in the hospital and his subsequent death, and they are incredibly spooky and heartfelt.
“You came to see me, don’t want to see you
I live in my world, so do not disturb
The thing inside me, won’t let me free
It is so unreal, it’s not a bad dream…”
Album closer “Volcano” mercifully brings the mood back up, because that shit was heavier than a really heavy thing, with apologies to Devin Townsend.
So after the release of Infini, Voivod was finished, right? I mean, one of their principal songwriters and founding members had lost his battle with that motherfucker known as cancer, so surely they couldn’t carry on, right?
Wrong, asshole! Did you even read the title of this piece?
But that’ll be the topic of Part Five, coming soon(ish), but probably not that soon. Until then, wherever you go, and whatever you do, remember to stay heavy. Do it for Piggy.
Also, I’m sorry I called you an asshole. I love you all, except for the assholes. You know who you are, assholes.