Take a Different Track, It’s Time to See What You Are Made Of: A Thing About 1990’s Hardcore

I’ve written a fair amount before in these pages about the asininity of claims that metal died off in the 1990’s, killed by grunge and whatnot, so I won’t go into that here. Instead, this is another post about how goddamn heavy the 1990’s actually were. This is a post about 1990’s hardcore. Being in my late teens/early twenties in the late 90’s, I very much identified with the stripped down aggression that these bands brought to the party, and for a time I even dabbled in the prevailing straight edge ethos of many of these bands, but it was always primarily about the music (as it should always be).

Sick of It All slaying the world. Photo taken from https://www.flickr.com/photos/hendisgorge/8541102893

Sick of It All slaying the world. Photo taken from https://www.flickr.com/photos/hendisgorge/8541102893

By the way, if you are inclined to search for “1990s hardcore” in the Google machine, you’ll find a lot of bullshit about “happy hardcore”, which can seriously just go and fuck right off.

I’d had a bit of an introduction to hardcore thanks to crossover bands like D.R.I., S.O.D., and Suicidal Tendencies, but Sick of It All kicked the door to hardcore clean off its hinges for me when I was still in high school, with the release of their 1994 masterpiece Scratch the Surface, and I was somewhat familiar with a few of the other New York Hardcore bands like Agnostic Front, Killing Time, and Cause for Alarm, mostly from reading metal magazines where the interview subjects were often wearing those bands’ t-shirts and talking about the bands. When I first heard Agnostic Front, though, I didn’t have the same “oh, shit!” moment I had when I popped my shiny new Sick of It All cassette into the tape deck of my car and “No Cure” came roaring out at me. It was called hardcore, but with those big riffs, angry lyrics, and gang vocals (which I knew from thrash metal, but which I later found out that thrash metal borrowed from hardcore), it was more similar to metal than it was different, and I wanted more.

Still so fucking good.

The problem, as I have stated before, was that I lived in a tiny conservative town with limited access to the underground (and also that I made $4.25 an hour working at Burger King); I’d only managed to score Scratch the Surface from the BMG Music Club because it was released on a major label. I managed to find a used tape here and there, picking up Agnostic Front’s metallic-flavored releases Liberty and Justice for… (1987) and One Voice (1992) (both of which are totally underrated, especially Liberty and Justice for…) and Killing Time’s Brightside (1989), and at some point I bought the 1994 metallic hardcore rager Set it Off by Madball, but there wasn’t much else for a little while.

It’s short, just listen to the whole thing.

Much more hardcore than metal, but still heavy enough that I cannot understand why metalheads and punks hated each other so much.

Ohhhh, sweet baby Jeebus…

Then sometime in 1998, I was driving home from “town” (Bedford, IN) when I passed the sadly now-defunct North End Video, where I noticed “Black Flag CD’s” on the marquee sign, along with a phone number. I had gotten into Black Flag in the summer of ’96, and I only owned The First Four Years and Damaged, so I was pretty excited about buying some more Black Flag albums, even if they were being advertised in a very strange way. I (very dangerously) wrote the number down on my hand while I drove, then when I got home, I called the number, a friendly voice picked up on the other end, and the conversation went something like this:

Friendly Voice: Black Flag.

Me: Yeah, I’m calling about the Black Flag CDs?

FV: Okay, is there something in particular you’d like to know about?

Me: Which ones do you have?

FV: We have a lot of them.

Me: Do you have My War?

FV: Do you mean the Black Flag album?

Me: I’m confused.

FV: We’re a music store.

Me (simultaneously): Wait, is this a music store?

FV: Yes, this is a music store.

Me: Oh, shit, what time do you close?!

FV: We’re open for another 45 minutes or so.

I drove faster than I’d ever driven before, covering the 20-minute trip in a little under 15 minutes (21-year-old men are rarely smart), and discovered that ol’ Max from North End Video had rented a small room toward the back of his store to two extremely nice dudes (Pat and Jay) who wanted to open a music store/skate shop. The store was actually called “Black Flag Music and Skate”, but Max probably didn’t think all that was necessary for the sign, and definitely didn’t know that there had ever been a band called Black Flag. Quick aside: I was told that the store was not actually named after the band, but after the King’s X song; Jay came from nowhere near a punk rock background, and is one of the first people I’ve ever met who was into prog and whatnot.

Anyway, I spent the next 45 minutes in there, talking Pat’s ear off and letting him play some new stuff for me, then I drove directly to the radio station where Travis was working at the time and made him listen to the stuff I’d picked up: Satisfaction is the Death of Desire by HatebreedProgression Through Unlearning by Snapcase (which I still play on a very regular basis), and In This Defiance by Strife (all of which were released in 1997). Travis and I went on to spend much of the next year or so hanging out there, working behind the counter on a voluntary basis, spending all of our money on music, and learning about all manner of things new to us. I also got into mid-to-late 90’s pop punk in that store, which coincided perfectly with meeting the girl (also in that store) with whom I had my first and second dates before she subsequently crapped all over my heart (which is pretty easy to do, with it being on my sleeve and all).

I’m wandering here, and I’m not sure where I’m going with all this anway, so I’m just gonna share some of my favorite badass mid-to-late 90’s hardcore songs with y’all, most of which have a message much more positive than the angry sounds might suggest. Let’s start where I started, why not?

This video is fucking excellent. I can never decide whether I prefer “Pickin’ up change” or “The Pizzamaker”.

I got to see Snapcase live once. It was on the Warped Tour, back when that tour featured bands I’ve heard of. Being a Warped Tour set, the conditions were not ideal, but it’s better than never having seen Snapcase live.

A lot of folks will go on for days about 1998’s The Shape of Punk to Come, but when I want to hear RefusedSongs to Fan the Flames of Discontent (1996) is what I listen to.


Aside from my previously mentioned brief foray into sXe, I’ve never subscribed to any kind of lifestyle philosophy, and quite frankly, the lyrics to a lot of Earth Crisis songs come off a bit silly (and a lot heavy handed) to me, but god damn does this song ever kick some ass!

To this day, the first Hatebreed album is still the only Hatebreed album I’ve heard even a single note from, but man, oh man, do I enjoy the first Hatebreed album.

I’ve only heard one album from Vision of Disorder: their self-titled 1996 album, but it’s a scorcher.

Aww, hell, I done gone and run out of time, and I didn’t even get to touch on melodic hardcore. That’ll have to happen another time; these green tomatoes ain’t gonna fry themselves. Thanks for reading, and feel free to share your favorite 1990’s hardcore bands, songs, and albums in the comments. Also, if you haven’t already, be sure to like Stay Heavy on facebook and follow Stay Heavy on twitter. And while you’re doing that, be sure to stay heavy, always.

3 thoughts on “Take a Different Track, It’s Time to See What You Are Made Of: A Thing About 1990’s Hardcore

  1. Well I would share my favorites but you already mentioned them!

    I will mention Shai Hulud as one of my favorites. Definitely top three. I think the modern metal-core stuff comes from them. Listen to the old version of “Set Your Body Ablaze” or the album “Hearts Once Nourished With Hope And Compassion”, with original singer Chad Gilbert now of New Found Glory. Those albums had all the energy of the old NYC hardcore bands but with metal riffs, guitar work, and breakdowns. Though the breakdowns aren’t the highlight of the song like in contemporary metal-core stuff.

    I think Refused were ahead of their time. I like the “Songs To Fan The Flames Of Discontent” record a lot! Refused were incorporating electronic and jazz riff way before some of these recent “post-metal” bands, on “The Shape of Punk To Come” of course.

    Random question, did you know that I went to see Snapcase, Quicksand, and the Deftones in Chicago probably “98 or ’99 with a dude from Music Go Round from B-town? Snapcase had so much energy is was ridiculous! I still can listen to “Progression Through Unlearning” and “Designs For Automation”. Which one do you prefer? “Progression” is nearest to my heart but I think I like “Designs” better (gasp).

    Another random question, did you know that our boy Walter did an acoustic cover of the Agnostic Front song “Society Suckers”? See below:

    You know that Hatebreed record is the only one that I have listened to all the way through as well. Now I did listened to some of the record “For The Lions”, which is their album of covers: Slayer, Crowbar, Metallica, SOIA, AF, Sepultra, DRI, and what not. But that first record, well now…

    Good memories and good writing my heavy friend.

    • I remembered when I was writing this that you like Shai Hulud, but I’ve never really given them a chance. I’ll have to remedy that.

      I did know that you went to that show with that guy – was his name Wes? I was supposed to go with you, but I couldn’t get the day off work, because that was when I worked at Software, Etc., and the show was on the release day for The Legend of Zelda: Ocarina of Time, and the store was supposed to be crazy busy, but then we ended up not getting very busy and I wasn’t really needed, and then Quicksand broke up, and I was sad.

      I prefer Progression, probably because it’s the first one I heard, but there ain’t nothin wrong with Designs.

      I was not aware of For the Lions, but now that I am aware, I am interested.

      I did not know about that AF cover, but I will check it out ASAP.

      Thanks for reading, and thanks for the kind words!

  2. Pingback: I Control This Game | Clockwise Circle Pit

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